Pro-Audio XLR 3 Pin Male to RCA Male Cable - 1.5 FT
Pro-Audio XLR 3 Pin Male to RCA Male Cable - 1.5 FT Thumbnail 1 Pro-Audio XLR 3 Pin Male to RCA Male Cable - 1.5 FT Thumbnail 2 Pro-Audio XLR 3 Pin Male to RCA Male Cable - 1.5 FT Thumbnail 3 Pro-Audio XLR 3 Pin Male to RCA Male Cable - 1.5 FT Thumbnail 4

Pro-Audio XLR 3 Pin Male to RCA Male Cable - 1.5 FT

Part no. 27-130-115

Unbalanced | Shielded | Strain Relief | 22 AWG | Connect Unbalanced Outputs to Balanced Inputs

(6 reviews)
Quantity Discount Pricing
1-9 10-24 25-99 100-249 250+
$9.49 $8.99 $8.54 $8.09 $7.64
Quantity Discount Pricing
1 - 9 10 - 24 25 - 99 100 - 249 250+
$9.49 $8.99 $8.54 $8.09 $7.64

Pro Audio Cable - 1.5FT XLR 3 Pin Male to RCA Male Cable

XLR to RCA cables are typically used for analog signals, primarily audio. These cables are commonly used on CD players, microphones, amplifiers, instruments, speakers, and much more. This cable features a nickel plated 3 pin XLR male and gold plated RCA male. The ultra-flexible 7mm PVC jacked reduces cable kinking and helps prevent damage to the connectors. Internally this cable is made from 22 AWG twisted pair cable wrapped in an aluminum foil shield and 60% copper braid for maximum shielding from EMI/RFI interference. Pro-audio cables are perfect for novice and professional musicians.


  • Length: 1.5 FT
  • Connector A: Nickel plated 3 Pin XLR Male
  • Connector B: Gold plated RCA Male
  • 22AWG Twisted Pair construction
  • Foil shield and 60% copper braid
  • Strain relief
  • 7mm PVC jacket
  • Connects unbalanced line outputs to balanced line inputs
Features & Specs
Connector Side A Connectors on this cable?? 3 Pin XLR Male
Connector Side B Connectors on this cable? RCA Male
Length The Length of the cable? 1.5ft
Signal Type Type of signal this cable can carryh? Unbalanced
Use The use for this cable?? Audio
Color The color of the cable? Black
Shielding The type of shielding?? Fully shielded
REVIEW SUMMARY for Pro-Audio XLR 3 Pin Male to RCA Male Cable - 1.5 FT
4.8 (based on 6 reviews)
  • Review on product quality and service

    Reviewed by:

    From: Dickson, Tennessee

    5/31/2016    #22164

    PROS: The product works really well; Super fast
    CONS: None specified
    Product is perfect, and the service was excellent. Will become a return customer. Thank you Paul.
  • RCA to XLR male cables

    Reviewed by:

    From: Ocala, FL

    2/8/2016    #20798

    PROS: The product works really well; Super fast
    CONS: None specified
    I really like the sturdiness of the connectors at both ends. I felt the cable quality is good but I was expecting the cable jacket to be a little heavier. I'll be happy to provide more input after the cables have a "few miles" on them. It's always tough to judge a "new" cable until it's been in use for a while, so we'll see

    Reviewed by:

    From: Connecticut

    6/12/2015    #16870

    PROS: The product works really well; Faster than I expected
    CONS: None specified
  • The Best!

    Reviewed by:

    From: Bakersfield California

    3/20/2015    #15704

    PROS: The product works really well; Super fast
    CONS: None specified
    I needed a very short cable to carry signals from a mixer to a preamp; this is it! I received an excellent price for an unusual, high quality product. Fast shipping; I would recommend "Show Me Cables" from the "show me" State anytime!
  • Call for Underground Sub

    Reviewed by:

    From: United States

    9/27/2014    #11134

    PROS: Works great
    CONS: As expected
    Great cables for my undground subwoofer. Used these with an amp and my speakers and now my outdoor system is up and running. Sounds amazing!
  • Another awesome gizmo

    Reviewed by:

    From: Juneau, AK

    3/11/2013    #1063

    PROS: None specified
    CONS: None specified
    I'm so happy that I just happened to have this adaptor. Recently I needed to plug and old TV (with only L & R RCA stereo jacks)into professional sound system that only had XLR inputs.

Q: What are XLR Cables commonly used for?

A: XLR Connectors are commonly used for professional audio, video and stage lighting equipment.

Q: What makes an XLR audio cable and DMX cable different?

A: The XLR audio cable is designed for audio frequencies (low frequencies) and is a low impedance (75 Ohm), high capacitance cable. DMX data cable is designed for a wide bandwidth high frequency data stream, it is a higher impedance (110 Ohm) and low capacitance cable. In the DMX system, this impedance mismatch can result in intermittent problems due to a distortion of the waveform of the DMX bit stream. You may have flickering LEDs, scroller miscue, or a twitching moving light. Also some XLR audio cables tie the signal return and shield drain wire differently than we tie the twisted pair return within a DMX cable. This may introduce a potential grounding problem in your system.

Q: What is a balanced cable and what makes them different then an unbalanced cable?

A: Balanced refers to a “three-legged” type of electrical signal that has two legs independent of ground. One is generally considered positive and the other negative in voltage and current flow with respect to ground. Both legs carry the signal. The benefit is that any noise that gets induced into the line will be common to both the positive and negative sides and is thus canceled when it arrives at its destination, assuming the destination is balanced. Balanced lines are generally best for long cable runs due to their ability to reject induced noises. XLR and TRS type cables are designed to transmit balanced audio from one balanced device to another.

Unbalanced cables are less complicated and less expensive but they have limitations. Any audio signal requires two wires or conductors to function. In an unbalanced cable situation, one of those conductors is used to carry both the audio signal and ground (shield). Unbalanced cables are much more susceptible to induced noise problems than their balanced counterparts because any induced noise in one conductor is not canceled by similar noise in the other conductor and may be carried with the signal into connected equipment. In general, unbalanced lines should be kept as short as possible to minimize potential noise problems.

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